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Tuesday, June 22, 2010

Apostolic Images From 4th Century Under Street in Rome

By Rick Pearcey • June 22, 2010, 09:43 PM

Archaeologists have discovered the "earliest known images of the apostles Andrew and John . . . in the richly decorated tomb of a Roman noblewoman," reports the Guardian.

The tomb would have be built during the period when Rome was converting to Christianity from paganism, according to the project leader, Barbara Mazzei.


Thursday, May 20, 2010

"Pink Panther" Theft Shocks Mayor of Paris

By Rick Pearcey • May 20, 2010, 10:30 PM

"Bertrand Delanoë, the art-loving Mayor of Paris, had some explaining to do last night," reports the UK Timesonline. "A masked man had just climbed into the Musée d’Art Moderne and helped himself to five masterpieces -- including a Picasso, a Matisse and a Modigliani."

According to the Times, "The Pink Panther-style raid, which netted works insured at €100 million (£85.4 million) was one of the biggest art thefts in decades. Christophe Girard, Mr Delanoë’s Deputy Mayor in charge of Culture, was flummoxed."


Friday, November 27, 2009

Norman Rockwell Wrong About Thanksgiving

By Rick Pearcey • November 27, 2009, 08:50 AM

Art Imitating Politics: "One of the persistent American misunderstandings is that Thanksgiving is about celebrating abundance," writes Chris Stirewalt at Washington Examiner. "Norman Rockwell helped the myth along as much as anyone."

Related 
Michelangelo, Schaeffer, and the Kingdom of Washington 
Tourist Attacks Mona Lisa
6-Year-Old Exhibits Painting
Controversy Over "Michelangelo" Sculpture
New Van Gogh Show 
Angelina Jolie as the Virgin Mary


Wednesday, October 28, 2009

Obama's Bootlicking NEA Chairman

By Rick Pearcey • October 28, 2009, 09:32 AM

Rick Moran at American Thinker discusses Rocco Landesman, chairman of the National Endowment for the Arts.

Landesman recently gave a speech "that is so syrupy sweet with Obama worship it activates the gag reflex," writes Moran.


Monday, October 12, 2009

Paris: McDonald's to Open at the Louvre

By Rick Pearcey • October 12, 2009, 10:10 AM

Peter Goddard writes at the Toronto Star:

News that a McDonald's is to open shortly in the bosom of the Louvre has sent waves of shock and horror worldwide. Appalled art lovers cringe at the possibility of the outlet serving up a juicy Double Da Vinci burger with a side of frites. Or a Francis Bacon lettuce and tomato sandwich.

More . . .

Related
Tourist Attacks Mona Lisa
6-Year-Old Exhibits Painting
Controversy Over "Michelangelo" Sculpture
New Van Gogh Show
Art Without Meaning -- Francis Schaeffer on "The Red Virgin"
Angelina Jolie as the Virgin Mary


Thursday, September 24, 2009

House Republicans Seek Probe Into Possible Obama Arts Corruption

By Rick Pearcey • September 24, 2009, 04:30 PM

"House Republicans are seeking a congressional investigation and information from the White House to determine whether the National Endowment for the Arts (NEA) pushed politics in a conference call with potential grant recipients," reports CNSNews.com.

Related
Official Dishonesty From National Endowment for the Arts
Michelangelo, Schaeffer, and the Kingdom of Washington
Fireproof: Reel Rebel Upsets Tinseltown Stereotypes


Monday, September 7, 2009

George Will: NEA Pro-Obama Conference Call Likely Broke Laws -- Video

By Rick Pearcey • September 7, 2009, 09:36 AM

Breitbart TV has the video.

Meanwhile: Are there any rebellious, freethinking, anti-status-quo, anti-Establishment, anti-System, Bourgeoisie-and-"The System"-decrying "Rage against the Machine"-challenging artists out there willing to address the question of state-sponsored propaganda masquerading as "art"?

Hat tip: Big Hollywood

Related
Official Dishonesty From National Endowment for the Arts
National Endowment for the Arts Trying to Create Cult of Obama
Fireproof: Reel Rebel Upsets Tinseltown Stereotypes


Thursday, September 3, 2009

Official Dishonesty From National Endowment for the Arts

By Rick Pearcey • September 3, 2009, 10:22 AM

The "Water Cooler" over at the Washington Times has been hearing things:

The Washington Times Water Cooler reported that we contacted the National Endowment for the Arts's (NEA) Yosi Sergant about an August 10th conference call invitation sent out to artists and other creative influence peddlers.  

When asked if the NEA sent the invitation, Mr. Sergant denied the NEA had sent the invitations to any participants for the conference call and refused to send the Washington Times a copy of the invite. AUDIO

More at Water Cooler . . .

Hat tip: Big Hollywood

Related
National Endowment for the Arts Trying to Create Cult of Obama


Wednesday, September 2, 2009

National Endowment for the Arts Trying to Create Cult of Obama

By Rick Pearcey • September 2, 2009, 11:24 AM

Are you a rebellious artist longing for transformational hope and change?

Well, note this: Barack Obama loves your creativity, and the National Endowment for the Arts has a wonderful plan for your work.

Go here for an insider's look at an NEA teleconference call encouraging artists to get their pro-Obama groove on. 

Related
Fireproof: Reel Rebel Upsets Tinseltown Stereotypes
Major New Van Gogh Show
Controversy Over Michelangelo Sculpture
Michelangelo, Schaeffer, and the Kingdom of Washington


Tuesday, August 11, 2009

Tourist Attacks Mona Lisa

By Rick Pearcey • August 11, 2009, 11:00 AM

"The Mona Lisa's enigmatic smile was unaffected," despite what could be called a mug shot, as reported by the UK Telegraph.

The Telegraph unearthed a possible explanation: "Doctors were trying to assess whether she was suffering from Stendhal Syndrome, a rare condition in which often perfectly sane individuals momentarily lose all reason and attack a work of art."

Just as there is no healthcare crisis, there is no Mona Lisa crisis.

Related
6-Year-Old Exhibits Painting
Controversy Over "Michelangelo" Sculpture


Friday, July 31, 2009

6-Year-Old Exhibits Paintings

By Rick Pearcey • July 31, 2009, 08:38 AM

"He may only be six years old, but Keiron Williamson is already exhibiting his watercolour paintings at a professional gallery near his home," reports the Telegraph.

Related
Major New Van Gogh Show
Controversy Over Michelangelo Sculpture
Michelangelo, Schaeffer, and the Kingdom of Washington


Friday, July 10, 2009

Major New Van Gogh Show

By Rick Pearcey • July 10, 2009, 09:53 AM

"The largest Van Gogh exhibition to be held in Britain in over 40 years will open at the Royal Academy of Arts next January, which organisers hope will give visitors a glimpse of the real man behind the myth," reports the Telegraph.

Here's the site for "The Real Van Gogh: The Artist and His Letters," at the Royal Academy of Arts.  

Related:
Controversy Over Michelangelo Sculpture
Michelangelo, Schaeffer, and the Kingdom of Washington
Pizza With Michelangelo
Art Without Meaning -- Francis Schaeffer on "The Red Virgin"


Tuesday, May 26, 2009

Controversy Over "Michelangelo" Sculpture

By Rick Pearcey • May 26, 2009, 07:02 AM

Just as in knowing the true authorship of books, so in sculpture it matters much to know who did what.

Here's a report from Rome on a wooden sculpture of Christ, dated from ca. 1495.

See also:
Michelangelo, Schaeffer, and the Kingdom of Washington
Pizza With Michelangelo
Plagiarism: Pretend People, Fake Work
What Is a Plagiarist?
Oxford, Cambridge, Plagiarism, and Christian Worldview
I'll Take Sartre


Thursday, April 16, 2009

Napolitano Cartoon of the Day

By Rick Pearcey • April 16, 2009, 11:48 AM

Click here to see why profiling is now OK, until further notice.



Friday, March 27, 2009

Pre-Pub Update: Nancy's New Book

By Rick Pearcey • March 27, 2009, 11:54 AM

A hard-copy prepublication version of Nancy's new book arrived in the mail today. This edition is also being sent to expert readers who have requested such a copy. More about this later, but comments already coming in are quite positive, for which we are thankful.

Remembering that politics follows culture -- especially during these days of an oppressive secularism, governmental and otherwise -- I can honestly say that this next volume offers a mighty blow against the forces of manipulation, fragmentation, and inhumanity at large in so many areas of contemporary life, thought, and society.  

Nancy and I are thrilled with how this project has developed, and we appreciate the vision and support of Philadelphia Biblical University in producing this hard copy and in supporting Nancy's writing and thinking. Great job all!



Monday, March 23, 2009

China to Unleash "Marx the Musical"

By Rick Pearcey • March 23, 2009, 08:11 AM

AFP seems to think this is news. But, too late: They're already singing and dancing Marx at the White House. 



Monday, March 16, 2009

Vader Art Alert: The Debt Star

By Rick Pearcey • March 16, 2009, 05:33 PM

Hat tip: Sandra Crosnoe, Libertylive.


Saturday, March 7, 2009

Michelangelo, Schaeffer, and the Kingdom of Washington

By Rick Pearcey • March 7, 2009, 01:01 PM

The great Renaissance painter and sculptor Michelangelo was born March 6, 1475, 534 years ago yesterday. He began work on his famed statue the David in 1501 and completed it in 1504. Michelangelo was 29 years old. 

Let's consider this man and his art and its relevance for our day, interacting with comments from Francis Schaeffer in his work How Should We Then Live? (Crossway: Complete Works of Francis Schaeffer, Vol. 5, pp. 114-115).

Schaeffer begins inside the Accademia in Florence, where the David is located:

Here we see on either side Michelangelo's statues of men "tearing themselves out of the rock." These were sculpted between 1519 and 1536. They make a real humanistic statement: Man will make himself great. Man as Man is tearing himself out of the rock. Man by himself will tear himself out of nature and free himself from it. Man will be victorious. . . ."

I saw and touched (winning the polite attention of security) one of these statues during my first and only (thus far!) visit to Florence. I had hitched a ride from L'Abri in Switzerland and carried with me a copy of Irving Stone's The Agony and the Ecstasy. Having that book in your mind was a tremendous way to see Florence.

"At the focal point of the room," Schaeffer continues, is the "magnificent statue of David (1504)."

As a work of art it has few equals in the world. Michelangelo took a piece of marble so flawed that no one thought it could be used, and out of it he carved this overwhelming statue. But let us notice that the David was not the Jewish David of the Bible. David was simply a title. Michelangelo knew his Judaism, and in the statue the figure is not circumcised. We are not to think of this as the biblical David but as the humanistic ideal. Man is great!

Man, human beings -- you and me, our neighbors, all of us red and yellow, black and white -- in fact are great. But not, as the unfinished statues of Michelangelo may suggest, because we have to tear ourselves out of nature. 

Rather, consistent with what the Declaration of Independence avows (which is the "Vision Statement" or "Mission Statement" of the United States), what makes humanity great is that we are the magnificent work of a Divine Sculptor, who happens to be the Creator by virtue of whom every single human being is endowed with "certain unalienable rights." And, by the way, Nature is also great and not a meaningless piece of particulate junk, because she too is a gift from the Creator and therefore ought to be cared for and respected, just like Genesis 1:28 liberates humanity to do.

As Schaeffer describes it, the political situation of Michelangelo's day bears some resemblance to our our own: 

The statue was originally planned to stand forty feet above the street on one of the buttresses of the cathedral, but was placed outside the city hall in Florence, where a copy now stands. The Medicis, the great banking family which had dominated Florence since 1434, had run the city by manipulating its republican constitution. A few years before David was made, the Medicis had been thrown down by the people and a more genuine republic restored (1494). Thus, as the statue was raised outside the city hall, though Michelangelo himself had been a friend of the Medicis, his David was seen as the slayer of tyrants. Florence was looking with confidence toward a great future. (Emphasis added.)

We see in our own day a manipulating of a "republican constitution" (think: "living" Constitution). Central to the truly living Mission Statement of United States (in the Declaration of Independence) is that a republic under the Creator would respect unalienable rights from that Creator, resulting in a balance of "form and freedom" (a phrase often used by Schaeffer). This amazing and unique balance maximized individual liberty among the people and states but without chaos, and it also established a unity of purpose nationally but without overweening control out of Washington.

To put this in contemporary parlance, it wasn't "unity is our strength" or "diversity is our strength," but rather "unity and diversity under God is our strength." All the difference in world.

To the degree that secular elites have imposed an alien agenda that casts away the founding Mission Statement of the United States (or keeps the form but denies the meaning), to that degree we have seen a corresponding loss of individual freedom, including direct attacks on the unalienable rights hardwired into humanity by the verifiable and knowable Creator. Not unrelated to this, the economic crisis we see today emerges in no small degree from a secularist, power-minded Washington-centrism and is the natural outworking of uprooting the American experiment in liberty from what the Founders knew is the soil of liberty as gifted to humanity by the Creator.

"Hope springs eternal," says the poet. And in the David is a "statement of what the humanistic man saw himself as being tomorrow!," says Schaeffer.

In this statue we have man waiting with confidence in his own strength for the future. Even the disproportionate size of the hands says that man is powerful. This statue is idealistic and romantic. There was and is no man like the David. If a girl fell in love with the statue and waited until she found such a man, she would never marry. Humanism was standing in its proud self and the David stood as a representation of that.

The challenge for humanism is not its ideals per se, but that it lacks an adequate intellectual basis to sustain those ideals, so that when crisis comes, we see breakdown instead of recovery. And we do see the breakdown, despite the concerted efforts of political, PR, and marketing types working overtime to simultaneously distract (e.g., attack Rush Limbaugh) and overlay a comfortable but Orwellian spin upon the breakdown (e.g., the president not concerned about market "gyrations").

However, in the world beyond the teleprompter, the press release, and the attack dog, what we are witnessing today is not just the loss of economic power and freedom, but also assaults on freedom of speech, freedom of thought, freedom of religious exercise, and so on. Man is great, but man is not God. You could put all the smartest people in the world in Washington and still the federal government is not God, as the original Vision Statement of the United States clearly understands. Secularist Washington-centrism must decrease if a humane American liberty is to increase. Read the directions.  

Our Founders understood this, but many of today's elites seem to reject it. It's not that the secularists are too smart for their own good, but that they are operating out of an inadequate philosophic framework. We'll recover as a nation if we return to the original Mission Statement and mark progress from that point forward. 

Perhaps the later Michelangelo can help lead the way forward:

[T]here are signs that by the end of his life Michelangelo saw the humanism was not enough. Michelangelo in his later years was in close touch with Vittoria Colonna (1490-1547), a woman who had been influenced by Reformation thought. Some people feel they see some of that influence in Michelangelo's life and work. However that may be, it is true that his later work did change. Many of his early works show his humanism, as does his David. In contrast stand his later Pietas (statues of Mary holding the dead Christ in her arms) in the cathedral in Florence and in the castle in Milan, which was probably his last. In the Pieta in the cathedral in Florence, Michelangelo put his own face on Nicodemus (or Joseph of Arimathea -- whichever the man is), and in both of the Pietas humanistic pride seems lessened, if not absent.

I began this post this morning simply as an effort to show an appreciation for one of my favorite artists, a person that I and a host of others would surely have liked to have known. He, like all of us, had his struggles. But even the Great Michelangelo of the Pietas was willing to place himself at the feet of a flesh and blood rebel condemned as a common criminal who happened to be the Savior and Son of God. That's right: A resurrected guy from the Middle East outback whose love and truth challenged and overturns the hopeful but inadequate humanism of then and now. 

The Founders understood the centrality and necessity of the Creator, and they rejected the idolatry of the federal state and the Kingdom of Washington. Many of us today get it. Hope and freedom never die. They are unalienable. They are hardwired into humane and human existence. Yes, we get it. Let's hope Washington hears before it's too late.  



Monday, February 23, 2009

Che of the Day

By Rick Pearcey • February 23, 2009, 12:05 PM

Viva Change!

Image: Matt Weurker/Politico.



Saturday, February 14, 2009

International Arts Movement Goes Twitter

By Rick Pearcey • February 14, 2009, 08:23 AM

The International Arts Movement, founded by artist Makoto Fujimura, is now on Twitter.

You can "follow" IAM on Twitter by clicking here, as I did at 8:14 this morning.


Friday, February 13, 2009

Worldview Tour Update: Our Rome-Florence-Paris Tour Brochure Here

By Rick Pearcey • February 13, 2009, 06:46 PM

Official brochures for our summer 2009 worldview tour of Rome, Florence, and Paris -- titled From Plato to Picasso to You -- are now yours for the viewing.

Included is information on the following: A tour overview, your tour directors, the itinerary, plus details about accommodations, meals, transport (including a night train to Paris), registration, whom to contact for follow-up, and so on.

"We expect this to be a tremendous time of fellowship, on-site examination of significant venues in Western cultural history, and discussion of the relationship of humane and Biblical living across the whole of thought and life."

To see The Pearcey Report on-line version of the brochure, click here. I hope you find the place links and map links of special interest.

Here is a pdf of the official brochure, provided by Philadelphia Biblical University, where Nancy is a professor of worldview studies. We greatly appreciate the university's support for creative worldview initiatives.

As a warm-up, you might brew a cup of coffee and sit down with "Pizza With Michelangelo," in which I discuss a terrific book titled Florence: Art & Architecture.

There's more Pro-Existence tour information here and here.

Man of the Day

By Rick Pearcey • February 13, 2009, 07:30 AM

"Adam, Ne Pas de Printemps," encaustic, by Carol Bomer.

 

 

 

 

 

 

 

 

 

 

 


Saturday, February 7, 2009

Oreo Memory of the Day

By Rick Pearcey • February 7, 2009, 09:38 AM

"Oreo Memories," charcoal, by Carol Kelly Dorn.

 


Friday, January 30, 2009

Banjo Player of the Day

By Rick Pearcey • January 30, 2009, 12:41 PM

This watercolor titled Banjo Player is by artist Carol Kelly Dorn.


Wednesday, January 21, 2009

Worldview Tour -- Rome, Florence, and Paris With the Pearceys

By Rick Pearcey • January 21, 2009, 11:15 PM

We're finalizing the brochure for a European Christian worldview tour titled "From Plato to Picasso to You," to be held this summer, June 10-18.

We expect this to be a tremendous time of fellowship, on-site examination of significant venues in Western cultural history, and discussion of the relationship of humane and Biblical living across the whole of thought and life.

There will be much more to share about this "worldview conference on wheels" in the brochure. Meanwhile, here's a preliminary announcement:

You are invited to join worldview scholar and author, Nancy Pearcey, and writer-editor Rick Pearcey for a nine-day excursion through Rome, Florence, and Paris.

You will learn to “decipher” the meaning of the art and cultural artifacts that have shaped the Western mind -- and that continue to influence our lives today.

You will visit the Sistine Chapel and the Colosseum, the David and the Uffizi, the Louvre and the Eiffel Tower, and cruise the Seine in the City of Lights.

All of these will be illuminated by lectures and discussions led by the Pearceys. Cost of this 9-day tour is $3,899.

For more information, please call 215-702-4333. Or email Claire Johnson at cjohnson@pbu.edu.

Here is the announcement page for 2009 summer tours available via Philadelphia Biblical University, where Nancy is a professor of worldview studies.

Please stay tuned to Pro-Existence or The Pearcey Report for future updates.

* February 4 Update


Thursday, January 4, 2007

Art Without Meaning -- Francis Schaeffer on "The Red Virgin"

By Rick Pearcey • January 4, 2007, 11:19 AM

News outlets are reporting that an artist has portrayed actress Angelina Jolie as the Virgin Mary. The following analysis by philosopher-theologian Francis Schaeffer of Fouquet's The Red Virgin provides background on the worldview dimension of this use of Marian imagery and on the modern problem of art divorced from meaning.

* Masaccio: "It is crucial to notice that with Masaccio [1401-1428?] and the others up to this point," writes Schaeffer, "art could still have moved toward either a biblical or a nonbiblical concept of nature and the particulars (that is, the individual things, including the individual man). Up to this time it could have gone either way."

* Nature's Proper Place: "It was good that nature was given a proper place. And there could have continued an emphasis on real people in a real world which God has made -- with the particulars, the individual things, important because God made the whole world. Masaccio . . . pictured Adam and Eve as the Bible portrays them -- as real people in a real world. Or at this point humanism could take over, with its emphasis on things being autonomous."

* Dilemma of Humanism: "Immediately after Masaccio, the die was cast and the movement went in this direction. Man made himself increasingly independent and autonomous, and with this came an increasing loss of anything which gave meaning, either to the individual things in the world or to man. With this we see the dilemma of humanism which is still with us today."

* Fouquet's Red Virgin: "This position and its dilemma is strikingly shown in a shift in art. In France, one sees this with Fouquet (c. 1416-1480) in his painting The Red Virgin (1450?)."

* King's Mistress: "The world red refers to the overall color used in part of the picture. The girl was shown with one breast exposed, and everybody who knew the situation knew that this was a picture of the king's mistress, Anges Sorel."

* Not the Madonna: "Was this the Madonna about to feed her baby? No, the painting might be titled The Red Virgin, but the girl was the king's mistress; and when one looked at the painting one could see what the king's mistress's breast looked like."

* Mary as a Real Person: "Prior to this time, Mary was considered very high and holy. Earlier she was considered so much above normal people that she was painted as a symbol. When in the Renaissance Mary was painted as a real person, this was an advance over the representations of Mary in the earlier age, because the Bible tells us that Mary was a real girl and that the baby Jesus was a real baby."

* Where Has All the Meaning Gone? "But now not only was the king's mistress painted as Mary with all of the holiness removed, but the meaning, too, was being destroyed. As first it might have seemed that only the religious aspect was threatened. But, as we can see in retrospect, gradually the threat spread to all of knowledge and all of life."

* Beyond Meaningless Mary: "All meaning to all individual things or particulars was removed. Things were being made autonomous, and there was nothing to which to related them or to give them meaning."

-- Francis Schaeffer, How Should We Then Live?, pp. 68-71; for a fuller statement on Christianity and art, see Schaeffer's Art & The Bible